Some time after I posted about movies we watched in 2021, I got a year-end recap from Letterboxd. Surprise! Their recap includes a bunch of different stats, including release year, directors, languages, etc. One of these stats is country, and USA was on top by…a lot. There’s nothing wrong with that, and given that I am ‘merican & all, not a real surprise.
Still.
Ever since I’ve been able to, I’ve enjoyed watching international films. Back in college and especially grad school, I was a regular at film screenings of all types. However, without really meaning to, I’ve more recently stopped going to art house and foreign films. Chalk it up to no longer living in a college town, I guess.
So seeing that bar chart with USA towering over every other country like Shaq in Munchkinland was kind of a wake-up call. This called for a resolution to make a conscious effort to watch more global cinema. We’re making up the rules as we go, but we’re trying to evenly distribute our viewing across the continents (excepting Antarctica, though we’re committed to at least watching The Thing), and within those trying to hit as many different countries as we can. So far, we’re doing pretty well. We’ve hit every continent twice, with only North America lagging behind, but only because we’re not counting films from the USA.
Even though we’re only in March, we’re already finding there’s a trick to finding what films to watch. Services don’t tend to list their offerings by country, even less by continent, so I’ve spent a lot of time browsing trying to track down eligible films. BUT! I hit upon a promising strategy this weekend. Rather than just blindly search by country or continent, if you search Letterboxd and set the results to show “Lists,” nearly every country you punch in has at least one curated list of films made in or about the country. Yes!
Of course, the next trick is going to be tracking some of these films down, since not everything is available on streaming services we subscribe to. My guess is at some point we’ll need to hit our local (or university) library, but that’s a problem for another day.
If you want to follow along, my Letterboxd diary should be public. Don’t look for reviews or ratings, though. I’m marking stuff I liked, but that’s about it for now. I’ll leave more detailed thoughts to others.
Once a generation, there comes a clunker of a Star Wars film…
Here’s how I know The Rise of Skywalker isn’t up to snuff. Once in theatres was enough for me. I’ll still read the novelization, and will watch it again at home afterwards, but I have no desire to deal with all the crap that attends going to the movies for it.
However, I don’t want to recite a litany of the ways TROS was disappointing. Instead, I want to think through how the film could have been better, given where the story stood at the end of The Last Jedi, and where the film ended.
Let’s start with Leia. I get that they wanted her to play a key role in Kylo/Ben’s redemption, but without actually having Carrie Fisher around, Leia’s presence and death were both super flat. Instead, they could have dealt with her death in the opening crawl, and had the first shot of the film in the Alderaanian graveyard, with the remnants of the Resistance performing a service in her honor. Hell, maybe the first shot is Lando’s ship arriving.
We acknowledge the leadership vacuum in the Resistance. Some look to Poe, but he’s still wrestling with being a hotshot pilot vs. taking on a more prominent leadership role, and hasn’t fully come to grips with what he did in the run-up to the Battle of Crait. Poe is keen on General Calrissian heading things up, but that’s not really Lando’s bag. He digs the title, but doesn’t want the responsibility. Instead, he offers to help use his old contacts to beef up the Resistance. Chewbacca goes with him. Leia’s death also flips out Kylo, and Palpatine uses the opportunity to reach out to him through the Force.
Next, let’s give the Kylo Ren vs. Hux and conflict within the First Order more time to breathe. I actually think this could have been one of the primary story lines of the film. Imagine if we got to watch Resistance leadership pulling itself together at the same time as the First Order is tearing itself apart. Rather than the whole chasing this artifact and that, we could have had Kylo unbalanced by the loss of his mother, pulled towards Palpatine and chasing (with the Knights of Ren, sure) after what to Hux would appear to be phantoms. Disillusioned, he reaches out to the Resistance as part of a play to eliminate Kylo.
Let’s keep the memory wipe of C-3PO, except instead of doing it to translate Sith MapQuest, the Resistance has to do it as part of a scheme to get in contact with Hux, because he can’t get word out from the Star Destroyer he’s based on without getting busted. Think of it as the reverse of what the Rebels did to K-2SO in Rogue One. This gives us an excuse to get our heroes in trouble, put Rey in Kylo’s quarters, etc.
Now that I think about it, this could also have given us a different way to introduce Jannah. I saw a tweet recently suggesting that she could have told Finn she and others left the First Order after they heard about his actions. Imagine taking that a step further, and being able to see them do it on screen because they ran into Finn on a First Order Star Destroyer.
Okay, so at this point let’s say we have Kylo haring off to Exogol, on a promise of power, one-upping grandpappy Vader, etc. He’s dealing with a bunch of Sithy things, including ghosts of Han and Luke getting in his way. The Resistance has to make a decision. Do they go after this new threat, or take advantage of turmoil in the First Order to get a much needed win on that front? Poe wants to do the latter, but ultimately recognizes they don’t have the resources. Rey takes off for Exogol in the Falcon…let’s say with Rose, because the ship is in desperate need of repairs. Finn and Jannah tag along, on the excuse that some First Order knowledge might be useful. Really, Finn is nervous about what Rey and Rose might discuss, and Jannah is infatuated with Finn.
Rey and the gang pause before the final leg to Exogol, where they run into a substantial part of the First Order fleet. They have to fight their way through, with a slight assist from Hux, who sabotages First Order efforts to capture them. In the process, our heroes see Hux get busted, courtesy holo transmission from him. Once they finally make it to Exogol, everyone but Rey focuses on repairs so that they can maybe make it back out alive. They also contact the Resistance to let them know about the fleet and Hux’s predicament.
Poe reasons that Hux is too valuable a resource to lose, and risks going after him. He also contacts Lando, and has him send anyone who can help to a rendezvous point outside the storms near the entry point to Exogol.
So— we still get our big lightsaber fight and space battle going on simultaneously. Yay! A couple changes, though. The Rey/Kylo/Palpatine part is a much more intimate affair. No more arena of whatever the hell those things were, and no fleet of planet-killing Star Destroyers, because Oh. My. God. Just the three of them battling each other and their own demons. Palpatine does his cackling “I have foreseen this” thing. Rey has to deal with being Palpy’s grand baby. Leia speaks through Rey to Kylo, which finally breaks him. On the space battle side, we start quietly as well. Initially there are not enough Resistance ships to risk taking on the First Order fleet, and they keep their distance. The First Order similarly ignores the Resistance ships as not being a threat. However, there is a steady stream of newcomers joining the Resistance. The First Order begins to get nervous, and at some point a hot head arrives and barrels forward to attack, ignoring Poe’s calls for him to stop. This causes confusion on all sides and the battle kicks off in earnest.
On Exogol, Ben and Rey defeat Palpatine, and race to leave before everything crumbles around them. They emerge from the storms in the middle of a now-raging space battle. The storms have increased in severity, and have jacked up the Falcon’s shields, and they’re sitting ducks. Black Squadron swoops in to escort the Falcon to relative safety. We see Poe’s ship, but it’s piloted by Wedge Antilles.
See, fanboys? I can pander, too.
Whatever destroyed Exogol has spread, and the storms surrounding it increase in size and intensity. They begin to swallow up the First Order fleet, which is now trapped between the storms and the Resistance. Poe sees this and orders everyone away, while lightning leaps from one First Order ship to another in a web of destruction that ultimately claims nearly the entire fleet. The Resistance wins the day!
One last thing I would do. Throughout the new trilogy, Rey has been pining for her parents, or trying to find out where she belongs. By the end of TROS, she has been explicitly told she’s more or less heir to the Sith, while she at the same time makes a conscious choice to fight against that. In the epilogue to TROS, Rey does two things that I think are in conflict with each other. She claims the name “Rey Skywalker,” as if claiming the mantle of the light. However, she also sparks a new lightsaber that is a golden yellowish color. This is a color we have seen from Temple Guards Star Wars animated shows, but in the context of Rey’s story I think we can interpret it as Rey forging her own path. I would probably drop the whole “Rey burying lightsabers on Tatooine for Jawas to dig up later” bit, but could easily see a small exchange at the end where one of the other First Order troopers who left with Jannah asks “Rey who?” To which Rey smiles and says, “Just Rey.”
So anyway, if anyone wants to give someone at Lucasfilm my contact information, I’d be happy to talk to them. I know it’s too late for the Skywalker Saga, but maybe I can pitch in on something coming up. 🙃
This is super spoilery, but it’s a snow day and I’m pretty sure no one’s reading this stuff anyway. So, here are two small scenes I’d like to see in Start Wars Episode VIII
INT. resistance hangar
The MILLENIUM FALCON lands, and after a brief moment LUKE, REY, R2-D2 and CHEWBACCA exit. GENERAL LEIA approaches LUKE and gives him a hug.
LEIA
It’s good to see you again. It’s been too long.
LUKE
I know. Listen…I’m sorry about Han.
LEIA steps back and looks at LUKE for a moment. He looks older than his years, and clearly feels guilt about his friend’s death. She gives him a wistful smile.
LEIA
It’s alright. It’s a wonder he lived as long as he did.
CHEWBACCA grunts his agreement.
…and scene number two…
INT. Corridor
KYLO REN is pursuing REY, who is injured and desperately trying to break away. She pauses at an intersection, glances left in surprise and then takes off to the right. As KYLO REN gets to the same intersection, GENERAL LEIA steps in front of him. She is pissed.
LEIA
Benjamin Anakin Solo, put that light saber down! Now!
KYLO REN drops his saber and stumbles back a step.
KYLO REN
Mother?
LEIA
And take off that ridiculous mask.
He rips the mask off his head like it’s on fire and stares past his mother, unable to make eye contact. LEIA picks up the light saber and starts pulling at the exposed wires.
KYLO REN
Mother, no‑‑ that’s mine!
KYLO REN reaches for the light saber, but LEIA refuses to let him have it. She continues yanking pieces from the weapon.
LEIA
Not anymore, it’s not. Do you have any idea how disappointed I am with you? If your father were here…
KYLO REN
But he’s not, is he?
She slaps him across the face, hard enough to leave a growing red mark.
LEIA
Your father loved you, and did everything he could to keep you safe. And how do you repay him?
She begins jabbing him with the light saber pommel, wires and bits now dangling from it. KYLO REN’s eyes begin to tear up.
KYLO REN
Mother…
LEIA
Answer me!
KYLO REN
I‑‑
Suddenly, FINN bursts into the corridor, a small group of Resistance fighters in tow.
FINN
General? Rey said‑‑ oh, crap!
FINN and the other fighters point their blasters at the now weeping KYLO REN.
FINN
Uh…General?
LEIA
Take him into custody.
(to KYLO REN)
This conversation isn’t over.
I have no idea what Kylo Ren’s middle name really is, but “Anakin” seems as likely as anything, and it has a nicer ring to it than the only other options I could think of. Bail? Luke? Lumpy? In any case, I’m amused at the thought that even though as far as we know Leia’s had no training or interest in the Jedi arts that her sheer force of will would be enough to stop Kylo in his tracks and reduce him to a little child again.
Apropos of Samuel L. Jackson’s indicating he’d like to be in the new Star Wars movies. He says Mace might still be alive, but I think I have a more fun idea. Here’s how I would introduce him.
INT. space station
HAN SOLO, LUKE SKYWALKER and LEIA ORGANA SOLO are on the run. They dart into a small chamber, shut the door and pause to catch their breath. Han drops a heavy bag on the floor.
LEIA
Who IS this guy?
HAN
I don’t know. (Into his wrist comm) Hey, kid! Did you get the camera in place?
Luke
Han, I’m really too old–
ANAKIN SOLO
(via wrist comm)
Yeah, you should be able to see him now.
LUKE
–oh.
HAN pulls out a holo projector, and flicks it on. We see a disfigured human pause, close his eyes for a moment as if he was scanning the area, then turn and stride out of view.
LUKE/HAN
I’ve got a bad feeling about this.
Luke and Han look at each other in surprise for a moment. Han breaks the silence.
HAN
Come on, Princess. We need to get out of here.
LEIA
Wait, you know him?
HAN
I don’t need to know him. I SAW him.
LEIA
(Well, he’s hopeless)
Luke?
LuKE
I’m not sure. He looked like…there was a Jedi my father knew. He disappeared before we were born.
LEIA
But, that’s impossible. He would be older than Obi-Wan was.
LUKE
I don’t think it’s him. He might be a clone, but I’ve never heard of a successful cloning of a Jedi. They kind of… You two go on. I need to get a closer look.
Han and Leia exchange a look that says, “will you talk to him?” and “he’s YOUR brother.”
HaN
Fine, kid. But be at the Falcon by oh-four-fifteen.
Han hefts the bag over his shoulder and marches out the door, followed by a worried-looking Leia. Luke crouches on the floor in a meditative pose, waiting for their pursuer’s arrival.
Sometime back in the early spring/late winter I saw a couple trailers for “Killers,” the new Ashton Kutcher/Katherine Heigl flick. By the second trailer I was pretty sure it was going to be a stinker. I don’t remember the exact exchange I had with Chandra, but I stuck the following on a sticky note:
Jason predicts “The Killers” will be bad. Specifically, he predicts a 54% Rotten Tomatoes rating.
Chandra, unable to resist joining in, predicts a 63% rating.
If you have an iPhone, be sure to check out the newly released NFB iPhone app. Dozens of great and classic NFB animated shorts are available on it including Richard Condie’s The Big Snit, Norman McLaren’s Begone Dull Care, Caroline Leaf’s The Street, Ryan Larkin’s Street Musique, Gerald Potterton’s My Financial Career, Peter Foldes’s Hunger, and, of course, Colin Low’s The Romance of Transportation. More recent films like Chris Landreth’s Ryan and Theo Ushev’s Tower Bawher are also on there.
My network connection is really spotty, so I’m struggling to watch anything, but the few seconds I saw before it crapped out were excellent quality.